v. 3, n. 1, jan./jun. 2026

View v. 3, n. 1, jan./jun. 2026
Published: 2026-06-30

Editorial

Editorial Dossiê Ojo vulgar & Revista Iluminus (UFMA), Brasil 2026: reinventando o imaginário

Seção 1: Brasil, reinventando o imaginário

  • The Fabric of Brazilian Culture

    Patrícia Carla de Melo Martins
    1-6
    DOI: https://doi.org/10.18764/2966-1196v3n1e29801

  • The Brazil That No One Knows, No One Has Seen

    Floriano Martins
    1-8
    DOI: https://doi.org/10.18764/2966-1196v3n1e29802

  • Afro-Indigenous Resistance Through Literature

    Natalia Vélez Loaiza
    1-5
    DOI: https://doi.org/10.18764/2966-1196v3n1e29804

  • “HAPPINESS WOULD ALWAYS BE CLANDESTINE TO ME”: Suffering as a passage from childhood to maturation in Felicidade Clandestina, by Clarice Lispector

    Fly Wanner Costa Baima, Caliane Portelada da Silva
    1-8
    DOI: https://doi.org/10.18764/2966-1196v3n1e29805

  • Echoes of the Periphery: Some Parallelism between Picós, Bailes Funk, Champeta and Funk Carioca (1990–2005)

    Sergio Enrique Niño Araque, Luiz Claudio Kleaim
    1-18
    DOI: https://doi.org/10.18764/2966-1196v3n1e29806

  • Etiological configurations of the amazonian imaginary: Enchanted women in the legends of iara and the forest siren

    Heloísa Reis Curvelo, Dilce Pio Nascimento, Alexander Ortega Marín
    1-10
    DOI: https://doi.org/10.18764/2966-1196v3n1e29807

  • Salvador da Bahia photographed on a Candomblé night.

    Alexander Ortega Marín
    1-6
    DOI: https://doi.org/10.18764/2966-1196v3n1e29832

Seção 2: Artífices

  • Between Borders: Pacaraima and Santa Elena de Uairén

    Fabricio Paiva Mota
    1-5
    DOI: https://doi.org/10.18764/2966-1196v3n1e29835

Seção 3: O olhar sobre o espetáculo

  • Black Theater in Pernambuco: Ancestry at the Heart of O Poste Soluções Luminosas’ Theatrical Practice

    Rafael Augusto da Silva Ferreira
    1-4
    DOI: https://doi.org/10.18764/2966-1196v3n1e29836

  • Tramando Teatro

    Armando Veras de Araujo Junior
    1-5
    DOI: https://doi.org/10.18764/2966-1196v3n1e29837

Seção 4: Hinos da noite

  • Echoes of Athens and The Glass Sea

    Gabriela Lages Veloso
    1-3
    DOI: https://doi.org/10.18764/2966-1196v3n1e29838

  • Desire: play, life, intensity, and event

    Maria Fernanda Bath Pereira Nunes Monteiro
    1-5
    DOI: https://doi.org/10.18764/2966-1196v3n1e29839

Seção 5: São Luís, portal metafísico e cultural

  • Ojo Vulgar presents Brazil and São Luís do Maranhão, a threshold city

    Juliana Vélez Loaiza
    1-2
    DOI: https://doi.org/10.18764/2966-1196v3n1e29840

  • The Myth of King Sebastian in Cururupu and Lençóis Island: History, Memory, and the Social Imaginary

    Adriana Zierer
    1-11
    DOI: https://doi.org/10.18764/2966-1196v3n1e29848

  • The Lady of Maranhão: Ana Jansen in 19th-Century São Luís

    Elizabeth Sousa Abrantes
    1-5
    DOI: https://doi.org/10.18764/2966-1196v3n1e29849

  • The Construction of the Political Discourse of the Sarney Group and Its Media Apparatus: From Cinema Novo to the Electronic Platform in Maranhão in the Context of the Frente de Libertação do Maranhão.

    Cesar Veiga Arruda, Márcio Aleandro Correia Teixeira
    1-19
    DOI: https://doi.org/10.18764/2966-1196v3n1e29850

  • Workshop Report in São Luís do Maranhão

    Émilie Geneviève Audigier, José de Mota de Sousa, Vanessa Soeiro Carneiro
    1-13
    DOI: https://doi.org/10.18764/2966-1196v3n1e29851

  • The Emptying of Race and the Epistemic Caribbean in Úrsula and La maldición (1859)

    Alvaro Ramón García Benavides
    1-8
    DOI: https://doi.org/10.18764/2966-1196v3n1e29852

  • Reasons for “Úrsula”

    Rosa Chamorro
    1-3
    DOI: https://doi.org/10.18764/2966-1196v3n1e29853

  • Mapping the Queer Cultural Scene in São Luís do Maranhão

    Carlos Wellington Soares Martins
    1-5
    DOI: https://doi.org/10.18764/2966-1196v3n1e29854

  • Reggae and the transformation of the “Brazilian Athens” into the “Brazilian Jamaica"

    Roberto Augusto Amancio Pereira
    1-4
    DOI: https://doi.org/10.18764/2966-1196v3n1e29855

  • Brazilian jamaica: Black interculturality between Jamaica and Brazil in the terminology of reggae in São Luís, Ma

    Georgiana Márcia Oliveira Santos
    1-16
    DOI: https://doi.org/10.18764/2966-1196v3n1e29856

Seção 6: Artes visuais e memória

  • Telma Lopes, a Natural Visual Artist

    Ilka Cristina Diniz Pereira
    1-3
    DOI: https://doi.org/10.18764/2966-1196v3n1e29841

Seção 7: São Luís, fora do tempo

  • Conversation with the Driver: The Spiritual Bankruptcy

    Patrícia Carla de Melo Martins
    1-3
    DOI: https://doi.org/10.18764/2966-1196v3n1e29842

Artigos - Século XVIII

  • The place of feeling in the foundation of the rational state in Friedrich Schiller

    Nertan Dias Silva Maia, Danielton Campos Melonio, Ariane Santos Ribeiro Melonio
    1-13
    DOI: https://doi.org/10.18764/2966-1196v3n1e29843

Poesias/Poemas

  • When Falling Becomes Art

    Marcelo Calderari Miguel
    1-3
    DOI: https://doi.org/10.18764/2966-1196v3n1e29846