Black Theater in Pernambuco: Ancestry at the Heart of O Poste Soluções Luminosas’ Theatrical Practice

Authors

Keywords:

O Poste Soluções Luminosas, Black theatre in Pernambuco, African matrices, ancestry, orixás (Iemanjá, Oxum), Candomblé/Umbanda, Ombela, Manuel Rui, water imagery, Recife

Abstract

The article traces O Poste Soluções Luminosas, founded in 2004 as a stage-lighting initiative and, from 2009 onward, reshaped into an artistic collective grounded in African diasporic matrices. Its research focuses on ancestral body and voice training, linking physical/anthropological theatre to orixá incorporations in Candomblé and Umbanda. In 2014 the group opened a cultural headquarters in Recife and developed Ombela, inspired by Manuel Rui’s poetic universe, where rain functions as a sensorial, feminine metaphor of language. To avoid stereotypes and ritual misuse, the team sought anthropological guidance and studied water archetypes (life, purification, regeneration), centering Iemanjá and Oxum in performance. Staged in an arena with direct audience interaction, Ombela is framed as a milestone in Recife theatre and as a meeting point between the sacred and contemporary сценic creation.

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References

SECCO, Carmen Lucia Tindó . Poéticas do sensível: história, imaginação, erotismo e afeto na poesia angolana pós-1990. In: Revista Diadorim, Vol. 5, 2009.

SEMEDO, Maria Odete da Costa. Assim senti ´Ombela´... Uluai, chuva e palavra. In: Revista África 21, n.31, julho de 2009, p. 47.

SIQUEIRA, Elton Soares. Ombela: uma cena ancorada no imaginário africano. In: Revista ASPAS, Vol. 7, N. 1, 2017.

Published

2026-06-30

How to Cite

Ferreira, R. A. da S. (2026). Black Theater in Pernambuco: Ancestry at the Heart of O Poste Soluções Luminosas’ Theatrical Practice. Revista Iluminus, 1(3), 1–4. Retrieved from https://periodicoseletronicos.ufma.br/index.php/iluminus/article/view/29836

Issue

Section

Seção 3: O olhar sobre o espetáculo