HYPEREDITION OF ALCINA DANTAS' POETRY

philology, literature and memory

Abstract

This article aims to inform about the Acervo Alcina Dantas (AAD) as a place of memory about the Bahian writer Alcina Dantas (1892-1974). In this sense, we will seek to circulate, through the philological editorial practice, her poetic texts published, in the 20th century, in the newspapers Folha do Norte, Folha da Feira, Gazeta do Povo, Vanguarda and O Itaberaba, using, for that, the electronic support. We will consider works in the field of Textual Criticism, such as those by Shillingsburg (1993), McGann (1995), Urbina and Furuta (2005) and Borges (2020; 2021) to carry out such an edition. To place the author in the context of the production and circulation of her poetry, we use texts by Zahidé Muzart (1995, 1999) and Constância Lima Duarte (2003), among others, as theoretical support. We therefore understand hyper-edition as a place of memory, as conceived by Nora (1993), to preserve and bring to the forefront the life and work of this writer, contributing to the constitution of a history of the literature of women writers who produced in the interior of Bahia.